Thursday, January 25, 2018

Comics Literature

http://www.beyondwhereyoustand.com/2010/12/graphic-novel-of-year.html
From Set to Sea by Drew Weing
     Recently assigned to review the magnificent The Vision by Tom King and Gabriel Hernandez Walta, I got to thinking about what could be considered literature in comics form.  If literature is "writings having excellence of form or expression and expressing ideas of permanent or universal interest" (according to the Merriam-Webster dictionary), then let us say that graphic literature does the same, but in the form of sequential art; not simply excellence of expression in the writing and the art, but also in the power of their synthesis to express those ideas of permanent or universal interest.
     So, this is a list of ten pieces of graphic literature.  By no means complete (shouldn't something from Crumb, Pekar, Hernandez or Morrison be here?  Doesn't Black Hole by Charles Burns deserve a spot? Was "Corpse on the Imjin" by Harvey Kurtzman perhaps the earliest example of graphic literature?  What about more work from other countries?), these are what I reckon to be the core titles of graphic literature, extraordinary works that have been, for the most part, culturally embraced.  The list is in chronological order.

Maus by Art Spiegelman
The Dark Knight Returns by Frank Miller
Watchmen by Alan Moore and Dave Gibbons
Understanding Comics: The Invisible Art by Scott McCloud
Ghost World by Daniel Clowes
Jimmy Corrigan: The Smartest Kid on Earth by Chris Ware
Persepolis by Marjane Satrapi
Fun Home: A Family Tragicomic by Allison Bechdel
American Born Chinese by Gene Luen Yang
The Arrival by Shaun Tan


Thursday, December 21, 2017

Beyond

     While Star Wars VIII: The Last Jedi seems to be eliciting a complicated reaction from Star Wars fans, among its sundry pleasures and occasional frustrations, I found a piece of wisdom that really resonated for me as a teacher.  Commenting on the relationship between teachers and students, a Jedi master of some note poignantly observes "We are what they move beyond.  That is the true burden of all masters."
    If we did our job right, our students leave us far, far behind.  It gets you right in the heart sometimes, but how will the world get better unless the young come to understand more deeply and act more bravely than their mentors?
    
     

Thursday, November 23, 2017

Thanks 2017


     On Thanksgiving last year, the country was on the cusp of a momentous change.  Things have not particularly calmed down since then (do they ever, really?), and however you feel that change has paid off for the country, you'd have to agree that things have not exactly become easier or brighter.  But one of the ways we get through it is by finding things we're thankful for, too.  As on Thanksgivings' past, here are a few small things I'm thankful for, that offer sheer enjoyment, but also a deeper perspective on things we take for granted.

All the President's Men by Carl Benrstein and Bob Woodward - As an account of Watergate by the two journalists who broke the story, it's not exactly a light read, nor an escape from the real world.  Adapted into a riveting movie, the book illuminates just how much bigger the story was than the actual break in at the Democratic National Convention headquarters.  Most astonishing is just how deep President Nixon's rabbit hole of corruption went and the lengths he and his people would go to destroy their enemies, both real and imagined.  It happened in the 1970s, but it's still (or once again) a timely read and, ironically, a hopeful one.  Watergate, which felt every bit as cataclysmic as our own era's problems feel now, did change our country forever.  But if we survived that, maybe we can survive a lot more than we think we can. 

Channel Zero: No End House - Comprising the second season of the SyFy Channel's anthology horror series overseen by off-beat horror writer Nick Antosca, this takes the frame of the creaky old scary story standby, the haunted house, and builds something new out of it.  A small group of college-agers are lured by urban myth and social media into a mysterious, intermittently appearing and disappearing house.  Braving its increasingly terrifying rooms, they find that the true danger comes after they leave . . . or think they have.  Creepy, weird and psychologically insightful, this draws its fear from its characters and their relationships and, in a growing pool of TV horror anthologies, puts Channel Zero as the top of the heap.

Cinemaps by Andrew DeGraff and A.D. Jameson - A follow up to DeGraff's Plotted: A Literary Atlas, which provides maps for and commentary on several literary works, this does the same for thirty-five different movies.  You could spend plenty of time pouring over the intricate maps themselves, especially in such clever forms as the multiple time-period representation for Back to the Future, but the perceptive essays that accompany the maps draw insightful new thematic elements out of well-trodden and often-analyzed classics (The Empire Strikes Back and Alien are two particular stand outs).

     Have happy Thanksgiving and take a free, bonus turkey joke while you're at it.

 

Thursday, October 26, 2017

El Bigote

     I'm collaborating with Rush Kress, my illustrator for Dr. Lollypop and Graphic Novels in Your School Library, on a new comic called El Bigote.  It's just getting started, but the elevator pitch goes like this: a cowboy has a showdown with a minotaur.  Click on the image for a larger view of Rush's detailed and atmospheric art.

Thursday, September 21, 2017

Spotlight: Dark Knight Master Race


     I have an extended and in-depth Spotlight review of Dark Knight: The Master Race by Frank Miller, Brian Azzarello and Andy Kubert in the new issue of Booklist.  Miller's classic Dark Knight Returns was one of the central books that drew comics into its darkest tones and times, so I approach the new book with the theme of hope in mind.  The full review is available here.